Shut your mouth
Unfortunately for any of us with any small sense of pride in our country's disgraced and rapidly crumbling governmental structure, George W. Bush is not going to go away. The President is in office until January 2009, and there's not a damned thing we can do about it.
But I don't think it's asking a lot for the President to simply stop talking. Seriously, Mr. President, with all the respect due to your title and office, please, for the love of Christ, shut the fuck up!
Once again, as he always does when he's up shit creek without a paddle or TP, the President has essentially called Democrats softies, as if the country would be less safe if they were in charge simply because they believe all people are due certain unalienable rights. What I can't get is why he's even opening his mouth at all.
First of all, if you are a Republican out there reading this, I beg of you, don't try to make the argument that President Bush has ever been a good speaker. I've seen the tapes of him when he ran for Congress, and I've seen the tapes of him when he was governor of Texas. I've heard him talk about baseball (a sport about which he obviously knows less than Andy MacPhail, which, really, is saying something), I've heard him talk about terrorism, I've heard him talk about marriage ... I've heard him talk and talk and talk, but never, never say a goddamned thing!
What I've realized in studying Mr. Bush's rhetoric over the last six-plus years is that the reason he sucks at speaking isn't because of the lack of talent and complete befuddlement when the bright lights are beamed down upon him. Rather, it's because George W. Bush is the Everybody Loves Raymond president.
How does that work? Well, think about it. Remember when the President had a 92% approval rating and seemed to be doing a surprisingly good job? Recall now what he was saying: exactly what everybody wanted him to say. In fact, that's all he ever does -- he repeats talking points that were stale when Ronald Reagan left office, he gives the impression that he might have some semblance of intelligence, and he acts like he has something profound to say. How is that any different than Everybody Loves Raymond?
I remember the first episode I ever wached of the Ray Romano sit-com. I was entertained, to a certain extent, by Peter Boyle, whom I've liked since seeing him on The X-Files. And Romano wasn't absolutely gods-awful, I suppose. But then I noticed something, as I watched a second, then a third, and finally (literally: lastly) a fourth episode: every single episode was exactly the same. I don't mean that it was formulaic; it was a sit-com, and sit-coms are generally formulaic by nature. I mean rather that nothing ever seemed to happen on it -- not in a Waiting for Godot way, but more in a "we just write stuff to make people watch" kind of way. The jokes were never any different. Brad Garrett always sounded like an inferior version of that big giant from the Bugs Bunny/Marvin the Martian cartoons that was always all like, "Which way did he go, George, which way did he go?" (an obvious send-up to Lenny, the big ol' idiot from Of Mice and Men, one of the greatest short novels ever written). By that fourth episode, I realized that the show, while occasionally funny, was devoid of any substance whatsoever -- I would've even preferred the false sentiment of Full House or the after-school-specialness of Officer Carl on Family Matters to the sterile, ultracorporate feeling I got watching Raymond.
But despite my protestations, of which very few took heed, audiences flocked to Raymond, which was stale by its third season, while leaving behind truly quality shows like Sports Night and Arrested Development -- two comedies that had more hilarity in five minutes than Raymond had in nine seasons. The reason was simple, literally: people don't like things to be complex. Although I believe that if offered the chance, people would choose quality over crap any day, I've been proven wrong so many times that my position has become indefensible.
George W. Bush, as candidate for president in 2000, represented the syndrome: things are too complex, and we need something simple. Fox News managed to shorten its news ticker into short, pithy bullet points that one can read if staring at the screen for half a second. Raymond managed to pull in some of the highest ratings in history despite never once taking a chance on doing anything truly interesting, one of my main qualifications in separating the good shows from great shows. Reality programming and biopics had replaced well-written dramas and intelligent fictitious films. Dan Brown was selling bajillions of copies of The DaVinci Code while Wharton and DeLillo sat on the back shelves at Barnes & Noble collecting dust.
That's the era in which George W. Bush was elected president -- and, I believe, the only era in which he could have been. When he opened his mouth to speak, he made it easy, speaking in short-and-sweet phases that fit well into the new Fox News model for the ticker. He didn't sound all stodgy and (gasp!) intelligent, like Al Gore did towards the end of that election cycle (I firmly maintain that the lockbox idea was genius and would have worked); he sounded like an average Joe, and gods know we love average Joes in this country.
After 9/11, the President began speaking even more, and most people, myself included, stood behind him. What most of us didn't realize, though, was that we'd played right into his hands. He was never a serious president, and likely only ever truly considered himself a one-term president until the attacks. He was never more than a bumbling buffoon, but we overlooked that because of what we wanted to see. And what we wanted to see, more than anything else, was a resolute leader staring defiantly into the face of an imminent threat.
What we actually saw, however, was something completely different. Go back, look at the tapes, and see how much different Bush was then than he is now. Okay, granted, he looked a heckuva lot more secure back then, and his hair wasn't stark raving white, but his rhetoric hasn't wavered, even in the face of mounting criticism against his policies and his party. And we've done nothing but stay the course for five years.
That's why it's time for Mr. Bush to simply stop talking. He's been saying the same thing since late '99, and it's... it's over now. TV shows are starting to become better, and, as I've told my friends on several occasions, I think we're on the brink of a television renaissance. While Dan Brown and Danielle Steele are still writing novels, and while bestsellers continue to be a drag, it makes me kind of happy that James Ellroy's The Black Dahlia, a book so far superior to its movie form that it's actually kind of ridiculous, is selling lots of copies in paperback due solely to the movie's existence. Bob Dylan, rather than Beyonce, had a #1 record a few weeks ago (not to mention, who'da thunk that Justin Timberlake could release a record that was not only surprisingly good, but about as artistic as a Michael Jackson record was in the '80s?).
We're turning a corner artistically in this country, and the Bush neophytes are going to be left behind. So, Mr. President, you have two options. The first, which I know you are unlikely to take, is that you need to change your rhetoric to stop reflecting your own pre-9/11 thinking -- the attack-attack-attack mentality that won you several elections. The other, which I know you are, if possible, less likely to take, is to simply shut your mouth. If you do neither of these, get ready to be remembered as the president who destroyed the United States of America. Thanks a lot, Mr. Nero.
